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The Mezzotint History And Technique. Abundantly illustrated with examples from the precursors of the technique to contemporary works both Asian and Western. It was the first tonal method to be used enabling half-tones to be produced without using line- or dot-based techniques like hatching cross-hatching or stipple. Traces the evolution of the mezzotint from its invention in the seventeenth century to its phenomenal growth in the eighteenth century as a means of disseminating inexpensive copies of popular painting subjects. Mezzotint is an intaglio printmaking process particularly suited to the rendering of tonal gradations that was used from the 17th through the 19th centuries to create reproductions of paintings.

History and Technique by Carol Wax 1990 Hardcover at the best online prices at eBay. FREE shipping on qualifying offers. James included in his first collection Ghost Stories of an Antiquary 1904. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth called a rocker. The German soldier Ludwig von Siegen is usually cited as the first to use it in a crude form although it appears that he used a roulette tool rather than the rocker used in mezzotint proper. Although the process of mezzotint was invented in Holland by the German-born Ludwig von Siegen during the 17th century it was soon practiced enthusiastically and almost exclusively in England.

The introduction of the mezzotint The distinctive printmaking technique of mezzotint was invented in the mid-17th century.

Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth called a rocker. 50 out of 5 stars THE book on the art history and techniques of the mezzotint. Find many great new used options and get the best deals for Mezzotint. The very disturbing engraving changes each time Mr. FREE shipping on qualifying offers. Mezzotintfrom the Italian mezzo half and tinta toneis a dark manner form of printmaking which requires artists to work from dark to light. The image is then formed by smoothing the surface with a tool known as a burnisher. Waxs book on the art history and techniques of the mezzotint has no equal. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth called a rocker. The technique is laborious and consequently unsuitable for original work. The German soldier Ludwig von Siegen is usually cited as the first to use it in a crude form although it appears that he used a roulette tool rather than the rocker used in mezzotint proper.